By Marc Chagall
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Extra resources for 30 paintings
Add highlights with the dirty brush + Titanium White on both leaves and in the center of the stem. ) Soften the white highlights on the wings. Add a dark margin and the tiny dots with a mixture of Ivory Black + Raw Umber. Detail the body and add antennae with the same mixture, slightly thinned and the no. 0 round brush. Blend the leaf highlights following the lateral growth direction. Accent the leaves with a little of the wing base mixture from Step 1. artist’s comment In this demonstration, the “+” sign indicates brush-mixed colors.
Clean thoroughly immediately after use. • To enrich a color by glazing, be sure the surface is completely dry between each application of thin layers. A hair dryer works well. • To preserve and protect your watercolor paper, sketch your composition on regular paper first. Once you’re happy with the design, transfer it to watercolor paper using tracing paper. Giant Swallowtail 2 3 Add Black to Wings Create black by mixing approximately 60 percent French Ultramarine + 40 percent Van Dyke Brown. Use this color with a no.
10/0 script OTHER SUPPLIES: 140-lb. (300gsm) cold-pressed Arches watercolor paper, 8½" × 10½" (21cm × 27cm) • no. 3H pencil • masking fluid • brush soap 1 Mask Out the Markings Draw a detailed sketch with a no. 3H pencil. Moisten the bristles of a no. 10/0 script brush and dip in liquid soap or brush soap. Apply masking fluid to the white and blue markings on the butterfly wings, as well as the markings on the inner edge of the wings. Rinse your brush frequently and “re-soap” to prevent a sticky buildup.
30 paintings by Marc Chagall