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Download e-book for iPad: A History of American Movies: A Film-by-Film Look at the by Paul Monaco

By Paul Monaco

ISBN-10: 0810874342

ISBN-13: 9780810874343

A historical past of yankee video clips offers a survey of the narrative characteristic movie from the Twenties to the current. The publication makes a speciality of one hundred seventy of the main very hot and famous function motion pictures chosen by means of the Hollywood institution: each one Oscar winner for top photo, in addition to these voted the best by means of individuals of the yankee movie Institute.

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Additional resources for A History of American Movies: A Film-by-Film Look at the Art, Craft, and Business of Cinema

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In spite of this turbulent production process, City Lights was a solid moneymaker. Although City Lights was essentially a silent film, Chaplin was at the same time clever enough to satirize recorded speech in it, beginning with the incomprehensible gibberish of the politician’s dedication speech for the statue in the opening scene. In addition, while contemporary critics identified several of the scenes—the Tramp acting coquettish in hope of softening his boxing opponent, who goes behind a screen and removes his pants; the Tramp and the millionaire waking up in bed together after a night of partying—as vintage Chaplinesque comedy bits, some later academic film critics drew attention to them as homosexual subtexts.

However, critical praise did not turn into box office success in 1927 for what turned out to be the last—and the most expensive—silent film that Fox ever produced. SUMMARY In 1895, the earliest films were shown, first in Europe and soon afterward in the United States. Movies as we know them, however, did not come into existence until the period between 1910 and 1915. Understanding motion pictures appreciates that there is more to movies than just making them. A complete system of cinema consists of production, distribution, and exhibition.

Alongside seeing MGM’s 1925 movie The Big Parade as the prototype of the “war movie,” or classifying The Gold Rush as a melodramatic comedy, substantial numbers of moviegoers were thought to reliably pay to see less distinctive westerns, romances, suspense movies, or slapstick comedies. Nonetheless, for the entire history of Hollywood, the influence of movie genre on audience taste and moviegoing may be overemphasized. Genre is much more clearly defined by later generations of historians and critics than by a movie’s makers or the audience for it at the time it first appeared.

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A History of American Movies: A Film-by-Film Look at the Art, Craft, and Business of Cinema by Paul Monaco


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