By Gary Westfahl
This booklet gathers jointly a few of the illuminating essays on technology fiction and myth movie penned by way of an important critic within the SF box. The items are approximately prepared within the chronological order of while the flicks and tv courses being mentioned first seemed, with essays offering extra basic overviews clustered close to the start and finish of the amount, to supply the final air of secrecy of a historic survey. even if this ebook doesn't fake to supply a complete heritage of technological know-how fiction and delusion movies, it does intermingle analyses of flicks and television courses with a few discussions of comparable performs, novels, tales, and comedian books, fairly within the essays in this Island Earth and 2001: an area Odyssey and its sequels. Inciteful, pleasing, and whole of clever and witty observations approximately technology fiction and its occasionally curious courting with the visible media, those essays will either satisfaction and entertain critics, fanatics, and audience alike.
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Additional info for A Sense-of-Wonderful Century: Explorations of Science Fiction and Fantasy Films
Perhaps this was done to differentiate the film from the television series then on the air, Hercules: The Legendary Journeys (1995-1999), wherein an offstage Hera is a recurring villainess, or perhaps someone else complained about the absence of sympathetic mothers in Disney films, engendering this response. 343|CO . MINGOFAGEINFANTASYLANDTHE : SELF-PARENTINGCHILDINWALTDISNEYANIMATEDFILMS a soundtrack filled with memorable songs. Thus, Alice in Wonderland should have been highly successful. However, it is widely viewed as Disney’s most spectacular failure: it was one of the few animated features that lost money on its initial release, the first such film to be shown on television (as early as 1954), and one of the few films that was never re-released to theaters.
While other critics have noted the film’s painstaking efforts to portray outer space accurately, employing black curtains and innovative lighting techniques to achieve a memorable effect, the film was equally attentive to the authenticity of its spacesuits; even Woody Woodpecker, in the film’s incongruous cartoon sequence explaining the principles of space flight, wears a realistic spacesuit during his flight to the Moon. As it happens, the film’s co-author and technical advisor, science fiction writer Robert A.
A scene in space looks different: 16. Destination Moon (George Pal, 1950). HETRUEFRONTIERC :ONFRONTINGANDAVOIDINGTHEREALITIESOFSPACEINAMERICANSCIENCEFICTIONFILMS with an enveloping background of dark black space filled with sprinkles of white light, and foregrounded figures in white spacesuits (the usual color choice, despite the idiosyncratic bright colors of Destination Moon, since white best reflects heat), viewers essentially see a starkly black-and-white environment, even if the film is shot in color.
A Sense-of-Wonderful Century: Explorations of Science Fiction and Fantasy Films by Gary Westfahl