Dramas Plays

New PDF release: Alcestis

By Euripides

ISBN-10: 0856682349

ISBN-13: 9780856682346

Трагедия Еврипида «Алкеста» на древнегреческом с попутным английским переводом и примечаниями.
«Алкеста» была поставлена на Великие Дионисии в 438 г.до нашей эры м в составе тетралогии, в которую входили несохранившиеся трагедии «Критянки», «Алкмеон в Псофнде» и «Телеф». Поскольку «Алкеста» занимала здесь четвертое место, обычно отводимое для драмы сатиров, некоторые исследователи стремятся найти в этой драме юмористические или даже бурлескные ситуации, но такие попытки едва ли основательны: бытовой элемент, несомненно присутствующий в образе Ферета, обрисованного не без доли иронии, в принципе не отличает его существенно хотя бы от кормилицы в «Ипполите», а в этой трагедии никто не станет искать черты драмы сатиров.

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Sample text

No I don't! Surely you know my ways! A P O L L O . Yes — ways hateful to mortals and hated by the gods. D E A T H . You mustn't expect to have everything you're not entitled to! A P O L L O . Even you, I swear, will have to yield, for all your savage spirit: such a one will come to the house of Pheres, when Eurystheus sends him to bring the team of Thracian horses from their wintry home, such a hero who, after being entertained in Admetus' halls, will forcefully wrest this woman from you. Then, with no gratitude from us, you'll do all we ask you now — and still have earned our hate.

3° 35 4° 45 5° % r 55 28 . χόφων P (item fere ad uu. , sed ad 39 et 72 eccvctxoc) 31. om. P, del. Nauck 34. οφήλαντα Monk 38. xoi BOV et gBgE: τε LP 41. έκδίκωο LP: έ ν δ BOV 47. > 49. y V: om. BOLP 50. άμβαλεΐν Bursian: έ μ β codd. et Z 55. γέραο BOV et Z κλέοο LP c b v b v : 66 30 9 κ η D E A T H . What's this? What are y o u doing about these halls? Why are y o u hanging about here, Phoebus? Are you once again committing the injustice of encroaching on the infernal gods and suppressing their prerogatives?

For Seidensticker, the later comedies of Shakespeare supply the closest literary parallel to A l c e s t i s and he suggests (p. ). We may, I think, accept Seidensticker's account of the inseparability of the comic and tragic effects of our play without rejecting, as Seidensticker does, Kitto *s insistence that the blend renders impossible, even at the more moving moments of the action, the kind of emotional response we reserve for tragedy. See Wesley Smith, "The Ironic Structure in A l c e s t i s " , P h o e n i x 14 (1960) 127 -45; the quotation which follows in the text is from p.

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Alcestis by Euripides

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